Holy holy! It’s the end of the year already and looking back through the past twelve months, I’m really impressed by how great the art and shows were, and also dismayed by how I forgot some of them. So, in case all y’alls have forgotten because of the barrage of great art you have encountered over the year, let’s review and savor one last time before the end of the world comes (it’ll be 2012, after all).
We began the year with As It Was Before, a two person show by Martin Machado and Todd Freeman with install by Aleksandra Zee.
Then on to February with the resin collage work of Sebastian Wahl‘s Kaleidoscope Eyes.
In March we had The Letter Collector which was a massive group show with all the artists showing their love of script and type.
With April came American Mythic, Peter Gronquist‘s use of ebay items and mixed media to create a variety of interesting and tongue-in-cheek works.
Robert Minervini‘s Sunken Dreams owned May with the geodesic domes settled in quiet dystopian landscapes.
June was a healthy serving of Bad Casserole, David Bayus‘ mixed media works.
July came with Lisa Congdon‘s Icelandic inspired works in Boreas with installation by Sarah Applebaum.
We had Gregory Ito‘s Point of Vision, an exploration in broadening his own perception on time for the whole of August.
Post-apocalyptic Sanguine Machine: Antedeluvian Artifacts from Futures Past by Beau Stanton presented us with creation/destruction in September.
Pakayla Biehn had October superimposed and double-exposed with her paintings in (t)here.
And last but not very least, we finish out the year with Scott Greenwalt‘s Alchemist, delving into what “change” really means.
Dang. That’s a lotta good art.


























Reader Comments
Nice to see all the ducks in a row. Good stuff!
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